Inside take on a Folger, Bodleian, and Ransom Center exhibition on the creation and afterlife of the King James Bible on the 400th anniversary of its publication.

Describing a Cantankerous Scholar

Exhibition visitors, Folger Shakespeare Library.

Over the last few weeks we’ve been putting the final touches on the panels of the traveling exhibition. I recently saw the proofs and they looked amazing! Studio A in Alexandria, Virginia, has done a fantastic job as always.

We also learned that a very strong number of libraries have applied to host the Manifold Greatness panel exhibition. That’s wonderful news. Now it’s time to write the case and item labels for the Folger exhibition. This is an exciting challenge.

Not only do you have to describe the artifacts in the case and tie them together as a group, you must also situate the case within the larger exhibition narrative. All the while you must be sure that you are really engaging the reader. Tricky business!

Broughton. Folger.

I’m about halfway through my share of the work and finding that it’s a very rewarding process. One of my favorite moments has been deciding how to describe the scholar Hugh Broughton. Thus far I’ve gone with “equally famous for his erudition, as he was infamous for his cantankerous personality.”

In response to the King James Bible he wrote, beginning with the page at right, “Tell his Majestie that I had rather be rent in pieces with wilde horses, then any such translation, by my consent, should bee urged upon poore churches.” He did not mince words.

Steven Galbraith, Andrew W. Mellon Curator of Books, is co-curator of the Manifold Greatness exhibition at the Folger Shakespeare Library.

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