Inside take on a Folger, Bodleian, and Ransom Center exhibition on the creation and afterlife of the King James Bible on the 400th anniversary of its publication.

Posts tagged “Sacred Praise Chorale

The Lasting Presence of the KJV in the Music of the Black Church

On Monday, February 11, at the third of four programs designed to explore the themes in Manifold Greatness (and as a part of Loyola Marymount University’s Black History Month celebration),  the Sacred Praise Chorale of Faithful Central Bible Church in Inglewood, CA performed works directly inspired by the words of the King James Bible.

The Sacred Praise Chorale chorale performs at Loyola Marymount University. Photo by Jeannine Emmett.

The Sacred Praise Chorale chorale performs at Loyola Marymount University. Photo by Jeannine Emmett.

The concert, directed by pianist and soloist Diane White-Clayton (affectionately known as “Dr. Dee”), took attendees on an inspiring, energetic musical performance of eight works of that spanned eighty years of worship music written by African American composers.

Reverend Jason Darden, Protestant and Multifaith Campus Minister at LMU, provided moving commentary between songs, and the 120 guests of all ages in attendance left with their hands tingling from clapping and their hearts elated by the honesty, beauty, and soulfulness of the performance. After the concert, guests and performers walked from the Sacred Heart Chapel to the William H. Hannon Library for a reception and viewing of Manifold Greatness: The Creation and Afterlife of the King James Bible.

I invited Dr. Dee and Reverend Darden to share their personal perspective on the role of the KJV in their life.

“The King James Version of the Bible with its poetic colors and literary prominence has been the source of artistic inspiration for composers for centuries. This is especially true of African American composers.  A culture which relies heavily on lyrical oratory, the Black church in America is often filled with the words from this great work, whether quoted by a pastor in a sermon, read as the Sunday morning scripture, spoken antiphonally by congregants and reader, or sung in the lyrics of the choir’s musical rendition.

Raised in a traditional Black church, my ears were filled with the words of the King James Version as I memorized verses in Sunday School or listened to my father preach them with eloquence.  Hence its influence on me as an artist would be strong.  As a composer, a great percentage of my choral works employ the King James Version as the sole source of lyrics.  I use it for the beauty of the old English, the familiarity it breeds for those entrenched in the tradition, and simply because of the inspiration it breathes to me as a Christian.”

– Diane White-Clayton (“Dr. Dee“)

“The King James Bible holds a very special place in my heart. I grew up as a preacher’s kid; not only was my father a preacher but my grandfather as well.  I can remember sitting in the pews and listening to my father and grandfather preach from the King James Bible.  I memorized scripture using the KJV and whenever I quote a passage during a sermon I always seem to resort back to my KJV vernacular. 

For me, the King James Bible is comforting; it brings back fond memories of our family’s small African American Church of Christ in Sylvania, Georgia. The very first bible that I received after my baptism was a black Thompson Reference King James Bible, with the words of Jesus in red of course!  The King James Bible was with me as I began my ministry in the pulpit and will be with me on the day I deliver my last sermon from the pulpit. For African Americans, the KJV is much more than a translation of scripture. The KJV is our grandfather, father and mother, our friend in times of trouble, and our history as a people.”

– Reverend Jason Darden

Jamie Hazlitt is Outreach Librarian and Manifold Greatness program director at Loyola Marymount University in Los Angeles, CA.