It’s May 2 today, and that makes it the anniversary of… a classic May 2, 2011, blog post by Manifold Greatness co-curator Hannibal Hamlin, explaining just why May 2 isn’t and couldn’t be the anniversary of the King James Bible’s publication date.
But the curious tradition of May 2 is not the only King James Bible myth that he’s discussed on this blog. One of our all-time most popular blog posts (with a fairly self-explanatory title, we think) remains Shakespeare did not write the King James Bible, no way, no how. Nor did the King James Bible influence Shakespeare’s plays: the timing was wrong, as explained here.
Dealing with another common misconception, King James didn’t write the King James Bible, either. See this blog post for that explanation.
Curious to learn more? These and other questions are included as Myth or Reality? FAQS on our Manifold Greatness website, too. What makes the King James Bible so subject to myths, stories, and misconceptions? Perhaps, in part, it’s just a sign of its cultural and religious importance. As for May 2, it’s an unusually prosaic “myth” about a book publication date, rarely the stuff of legend or romance. As Hannibal Hamlin suggests in his original “May 2” blog post, perhaps just having a definite date—any date—helps satisfy our perennial desire for certainty.
The Manifold Greatness project, including this blog, began in 2011, the 400th anniversary year of the 1611 King James Bible. To learn more about the origins, creation, and broad influence of the King James Bible, explore our Manifold Greatness website. To try our coloring game, select “Coloring” from the Games and Activities section of the website’s “Kids Zone.”
What do you do when you have an exhibit celebrating the 400th anniversary of the printing of the King James Bible? What do you do to get a small, rural community in south Georgia in the right mindset for an exhibit and an onslaught of information on the politics and history surrounding a book that most people know very well, but probably have never thought seriously about? Well, in Tifton, Georgia, we put on a Renaissance Faire and partied like it was 1611!
This event gave a lot of people an opportunity to get in touch with their inner RenRat. Attendees were encouraged to attend in costume and were given handouts instructing them on how to speak “The King’s English.” The library staff and our amazing volunteers lavished endless attention on costumes and pavilions. Jesse Carpenter, one of our student workers, was recruited to produce cutouts that included King James himself. Members of the Literacy Volunteers and the Rotary Club were cajoled into selling era-appropriate food to our visitors. One of the interesting facts we discovered while researching the time is that gingerbread men were invented during the reign of Queen Elizabeth I!
A children’s tent was dedicated to the production of quill pens, swords, shields, and crowns. It is hard to know how long the street will be glittered. We also had a volunteer that taught a steady stream of people how to play Nine Man Morris, a game that we discovered was popular during the time. Wagering on outcomes was not encouraged during our faire.
One of the highlights of the faire was the participation of the Society for Creative Anachronism. These talented individuals came and set up tents and demonstrated blacksmithing, illumination, dancing, sewing techniques, and FIGHTING! Knights fought for the honor of fair maidens picked from the audience and to advance their status in their shires. It was loud and exciting and very, very popular with our visitors. Cameras were encouraged and the fighters were probably the most photographed characters on Faire day.
Why did we open the exhibit this way? It was important for us to have a strong kickoff event for the exhibit. We were looking for something that would appeal to a large number of people, people who might not have thought to come to the exhibit, but might come to the Faire, eat a smoked turkey leg, and then decide to go and see what was happening with the exhibit. We believe that the Faire did this for us. The exhibit had a very strong opening day and we hope that, because we were able to promote the rest of the programming surrounding the exhibit more personally with the Faire-goers, we have good turnouts for what is to come.
Vickie Horst is the Manager of Tifton-Tift County Public Library in Tifton, Georgia.
Because North Carolina has a strong Scottish heritage, we decided to highlight King James’s own Scottish heritage in our Manifold Greatness opening celebration at Cameron Village Regional Library in Raleigh, North Carolina.
The afternoon began with a performance of highland dancing by the Triangle Scottish Dancers, a local group that is part of the Scottish Cultural Organization of the Triangle (SCOT). Highland dancing differs from country dancing in that the latter is performed by couples who walk around each other in patterns, much like American square dancing. Highland dancing, in contrast, is performed by individuals and involves very intricate footwork. It is similar to the Irish dancing that was popularized by the “Lord of the Dance”.
Most highland dance groups are made up of girls and young women, as is the case with our group. More than one attendee remarked on how nice it was to see a group of girls performing together in such an accomplished way. Even the bagpipe player is a teenage girl.
After the dance performance in the atrium, the piper played while the dancers led the crowd upstairs to the exhibit room. There refreshments were served while North Carolina Symphony harpist Anita Burroughs–Price performed music from the Jacobean era, and told attendees about the history of the harp from its beginning as an outgrowth of the hunter’s bow to the modern harp we know today.
During the harpist’s break, SCOT member George Birrell gave a talk about kilts and read some Scottish poetry. George and Anita then collaborated on an impromptu duet, Anita playing the harp while George recited the words to “Auld Lang Syne,” a Scottish song with words by the poet Robert Burns. An earlier version of the song has been attributed to Sir John Ayton, a scholarly advisor to King James.
Eventually, the afternoon of music, food, and dance drew to a close. One of the comments left on the white board in the exhibit room summed it up: “Great display. Absolutely spiffing!”
Sue Scott is Arts and Literature Librarian at Cameron Village Regional Library, Raleigh, North Carolina.